Exhibition Description

 

NADA Miami 2020
December 1-5
On View in Detroit
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For the special NADA Miami 2020 edition, we are pleased to present the works of three Detroit-based artists: Carole Harris, Jova Lynne, and Tyanna Buie.

The project celebrates a mutigenerational group of relevant contemporary black female artists currently practicing in the city of Detroit, but of very different backgrounds: Carole Harris, a fiber artist and long-time resident of the city; Jova Lynne, an interdisciplinary conceptual artist and curator of Jamaican and Colombian heritage, born and raised in New York City, and currently based in Detroit; and Tyanna Buie, a Chicago, IL and Milwaukee, WI native, who moved to Detroit to take a position as Assistant Professor/Section Chair of Printmaking at the College for Creative Studies.

All three artists are known for pushing the limits of their practices, and for their engagement with community. Each artist is featured in a solo window installation, and additional works are also brought together in conversation at the gallery’s EDITION space.

CAROLE HARRIS
Carole Harris is a fiber artist who has redefined and subverted the basic concepts of quilting to suit her own purposes. She extends the boundaries of traditional quilting by exploring other forms of stitchery, irregular shapes, textures, materials and objects. Carole is captivated by the interplay of hue and pattern, often drawing inspiration from the color, energy, movement, and rhythms of ethnographic textiles she collects, as well as the music of, and changing rhythms and history of the city of Detroit where she lives.

Carole Harris’ work was included in The Sum of Many Parts: 25 Quiltmakers in 21st Century America, which toured China in 2012, where she was a guest lecturer. In 2017 her work was included in Footworks at the Biennale Internationale Design Saint-Etienne in France. Her work has received numerous awards and has been exhibited and published extensively, including a two-person exhibition Repetition, Rhythm, and Vocab with artist Allie McGhee at the Detroit Institute of Arts (DIA) in 2018, a solo exhibition at the NCRC Rotunda Gallery at the University of Michigan in 2017, and a solo exhibition at The Dennos Museum Center in 2019. Her work was included in the exhibition Landlord Colors: On Art, Economy, and Materiality at the Cranbrook Art Museum in 2019. In 2015 Carole Harris was awarded a Kresge Foundation Visual Arts Fellowship.

JOVA LYNNE
Jova Lynne is an interdisciplinary conceptual artist and curator of Jamaican and Colombian heritage, born and raised in New York City, and currently based in Detroit, MI.

Lynne is interested in the parallels between fictional, historical and personal archive in identity development. In her practice Lynne seeks to subvert anthropological practice in utilizing the lens and performance. She is interested in the cognitive dissonance one experiences when navigating material, text and media-based archive. Lynne is a grantee of the Astraea Foundation’s Global Arts Fund, which has supported her work in media and social practice based projects in Kingston, Jamaica and Berlin, Germany, in addition to her work in Detroit. Lynne completed a Masters of Fine Arts in Photography at Cranbrook Academy of Art in May 2017, and is a curator at the Museum of Contemporary Art Detroit.

Jova Lynne’s work has been presented at galleries and museums across the globe including Crystal Bridges Museum of American Art, Torrance Museum of Art, Brooklyn Museum, and Stroboskop Art Space, Warsaw Poland.

 

TYANNA BUIE
Tyanna Buie was born the youngest of four siblings on the city’s south side. By the age of four, Buie and her siblings were placed in the foster care system where they were temporarily housed, moving from one home to another throughout Illinois and Wisconsin.  Buie’s life and work have been highly influenced by this experience. Early on she was guided toward the art-making process as an outlet for self-expression and to cope with a challenging environment. In the midst of this chaos, Buie was free to create and this gave her a sense of release and enjoyment to find her voice, her creative vision and a connection with the outside world. Through the memory of these childhood experiences aided by a few family photos from her aunt, Buie has the ability to reclaim and rewrite her own past in her work: to not just focus on the hardships, but to highlight the celebrations. Buie believes in maintaining a connection to the community around her by hosting printmaking workshops and demonstrations and participating in Healthy Neighborhood Initiatives through the production of public art created for underserved neighborhoods and communities in Milwaukee, and Madison, WI.

Tyanna Buie received her BA from Western Illinois University, and her MFA from the University of Wisconsin-Madison. She has attended Artists-In-Residency programs, such as the Joan Mitchell Center in New Orleans, LA, the Women’s Studio Workshop in Rosendale, NY and the Vermont Studio Center in Johnson, VT, as well as maintaining a connection to the community by hosting printmaking workshops and demonstrations, while participating in Healthy Neighborhood Initiatives through the production of public art created for underserved neighborhoods and communities in Milwaukee, and Madison, WI.

Buie has been a visiting artist lecturer in Tennessee, Georgia, Illinois, Kansas, Missouri, Rhode Island and Arizona, while continuing to exhibit her works in numerous juried, group and solo exhibitions throughout the country. In 2012, she received an emerging artist Mary L. Nohl Fellowship and is the recipient of the 2015 Love of Humanity Award from the Greater Milwaukee Foundation, and the prestigious 2015 Joan Mitchell Foundation Painters & Sculptors Grant. Her work is part of the permanent collection at the Milwaukee Art Museum in Milwaukee, WI. Tyanna Buie is currently living in Detroit, MI, where she is Assistant Professor/Section Chair of Printmaking at the College for Creative Studies.