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Carole Harris

Limited Editions

2020

7 (h) x 5 (d) inches

Hand signed by the artist

This unique work in the format of a card presents a textile composition by Detroit artist Carole Harris.

The artist sees this accessible limited-edition of cards works as a way to connect.

CAROLE HARRIS
Carole Harris is a fiber artist who has redefined and subverted the basic concepts of quilting to suit her own purposes. She extends the boundaries of traditional quilting by exploring other forms of stitchery, irregular shapes, textures, materials and objects. Carole is captivated by the interplay of hue and pattern, often drawing inspiration from the color, energy, movement, and rhythms of ethnographic textiles she collects, as well as the music of, and changing rhythms and history of the city of Detroit where she lives.

Carole Harris’ work was included in The Sum of Many Parts: 25 Quiltmakers in 21st Century America, which toured China in 2012, where she was a guest lecturer. In 2017 her work was included in Footworks at the Biennale Internationale Design Saint-Etienne in France. Her work has received numerous awards and has been exhibited and published extensively, including a two-person exhibition Repetition, Rhythm, and Vocab with artist Allie McGhee at the Detroit Institute of Arts (DIA) in 2018, a solo exhibition at the NCRC Rotunda Gallery at the University of Michigan in 2017, and a solo exhibition at The Dennos Museum Center in 2019Her work was included in the exhibition Landlord Colors: On Art, Economy, and Materiality at the Cranbrook Art Museum in 2019. In 2015 Carole Harris was awarded a Kresge Foundation Visual Arts Fellowship.

Description

2020

7 (h) x 5 (d) inches

Hand signed by the artist

This unique work in the format of a card presents a textile composition by Detroit artist Carole Harris.

The artist sees this accessible limited-edition of cards works as a way to connect.

CAROLE HARRIS
Carole Harris is a fiber artist who has redefined and subverted the basic concepts of quilting to suit her own purposes. She extends the boundaries of traditional quilting by exploring other forms of stitchery, irregular shapes, textures, materials and objects. Carole is captivated by the interplay of hue and pattern, often drawing inspiration from the color, energy, movement, and rhythms of ethnographic textiles she collects, as well as the music of, and changing rhythms and history of the city of Detroit where she lives.

Carole Harris’ work was included in The Sum of Many Parts: 25 Quiltmakers in 21st Century America, which toured China in 2012, where she was a guest lecturer. In 2017 her work was included in Footworks at the Biennale Internationale Design Saint-Etienne in France. Her work has received numerous awards and has been exhibited and published extensively, including a two-person exhibition Repetition, Rhythm, and Vocab with artist Allie McGhee at the Detroit Institute of Arts (DIA) in 2018, a solo exhibition at the NCRC Rotunda Gallery at the University of Michigan in 2017, and a solo exhibition at The Dennos Museum Center in 2019Her work was included in the exhibition Landlord Colors: On Art, Economy, and Materiality at the Cranbrook Art Museum in 2019. In 2015 Carole Harris was awarded a Kresge Foundation Visual Arts Fellowship.